Drawn2Life

Drawing, Knitting, Illustration, Crochet…it's all Life, it's all Good!


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How…

“How in the world do you do what you do?” This is an interesting question I get either verbalized or emailed to me.  I’m always surprised at the question. I wonder what it is they perceive I’m doing or accomplishing, since USUALLY I’m thinking I can’t do anywhere near what I’d like to do or accomplish. Crazy isn’t it?

Typically my first thought is: I have no idea. In the past I have said, “I do it because it’s my sanity.” And that is true.  I’ve also said, “I do it because I have to/need to.” And this too is true.  I’ve also responded, “I do it because it’s so fun!” True too! But recently it has begun to form in my mind, the real “how” of all the creative stuff I love: drawing, painting, knitting, crocheting, designing, illustrating Genevieve, blogging, writing poetry every now and then, and the occasional collage.  If this seems too self-oriented, then do just click away from this post. I only write it in hopes that it might encourage or inspire you in your creative endeavors! Here goes:

How do I do a creative life?

1. Look for Beauty. So honestly, this is the crux of the matter. Without something beautiful, I haven’t any reason to draw or paint, to knit or crochet, to write in prose or poetry.  Sometimes I’m struck by a lovely thing without looking for it.  Many times, I purposefully look for beauty in and around my little life.  And on days when I’m hard-pressed to find anything of beauty, I search for it.  It’s actually a discipline, this artist’s life…to scour your world for the Beauty you know is there even in unexpected places or places where we don’t think beauty could be found. Beauty can even be wrapped in painful or discouraging circumstances.

2.  Find a way to express it.  So for me, merely looking for, seeing, and noting a thing of beauty (whether it’s the inside of my dishwasher or the gorgeous fall trees in my neighborhood) is not enough.  I must record, express, celebrate, honor, capture, harness it in some way. Most times, that way is drawing in a sketchbook. Or painting the faces and places in my life or in others’ lives. Other times it is writing. And yet others it is knitting something in the colors I’m seeing out my windows. There are many many other ways to express the little beauties in your life: photography, music, composition, dance, theater, etc.

3.  Do what I can, with what I have, where I am.  This is actually a quote by Theodore Roosevelt.  It is incredibly helpful for someone like me who has more ideas I’d love to see come into being than I know what to do with.  I can get really stuck in thinking: well, I CAN’T do X, Y, or Z (due to time or money or ability) so I just won’t do any of it at all.  I camped out with this block for nearly two years a few years back.  I was wanting to make it big-time as a professional artist, painting big paintings, being represented by a gallery or two, entering exhibits all over the region, etc.  And when it seemed to be way out of my reach, I just stopped drawing and painting altogether.  What ended up happening during this period, is that I picked up my needles and yarn and began knitting and crocheting like a fiend:).  But one day, I literally ran into the book ISH, by Peter Reynolds, and realized that all I really wanted was to draw, no matter whether it became a professional thing or not. You can read more about that here. And you all know of my desire to travel to France, a longing to have a life that allowed for this kind of travel, (both in time and money), only to realize the amazing beauty of my own little town of Kernersville as I began to look for it and draw it!

We tell ourselves that we don’t have enough money for canvases or paints, when a cheap sketchbook and watercolors is sitting underneath a stack of books somewhere.  We tell ourselves we have no time, while we sit in a car pick-up line for ten minutes and could sketch something or knit a few rows.  We tell ourselves we are too tired at the end of a long day, when the very best restorative medicine is a swoosh of color on a page, or a few rows of crocheting that blanket.

4.  Blast through resistance.  I’ve been reading (and re-reading) a book by Steven Pressfield titled The War of Art.  In it he defines what resistance is and how it keeps us from doing the thing(s) we are really longing to do and need to do. I highly recommend this book!  I am continually learning all the myriad of things that resistance throws in my path to keep me from being creative. In some ways, this fight through resistance is very difficult! But in other ways it’s really simple: I  put on my artist armor and hack through the underbrush of weedy resistance.  I show up to the page, the yarn, the blog.  Whatever it is, whatever it takes, for however long I have to give it (10 minutes or 2 hours) I SHOW UP.

5.  Relish the FEW creative projects I have going.  It is good discipline for me to limit how many creative balls I juggle.  What has happened to me time and time again, is that when I have too many going on, my energies are splintered, my focus grows fuzzy, I feel overwhelmed to the point of paralysis, and I can’t seem to accomplish or finish anything.  Boundaries are good. Limitations are actually an ASSET!!  Disciplining the bouncy, creatively ADD, artist child within you is necessary to a slow-but-steady-progress kind of life.  AND it actually allows me to RELISH what I’m doing NOW, being present in the lovely creative moment, instead of hurrying through it to get to the next thingS on my accomplish list.

Well, there it is. An answer to a question you may or may not have wondered. It has helped me to write it down.  It’s a touchstone for me. A way to remember why and how it is I do what I do. Perhaps it will help you as well.

**Addendum: If any of you saw my recent Instagram photo, you would see that I’m not doing that well with #5! Oi! What’s a girl to do?!!


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Blankets & A Process

Forgive the dreadful photos (especially this one)…I was drawing/painting in the wee hours of the morning (have no idea why I’m up so early these days:( ) and taking photos at that time is  near impossible, but there it is.

The blankets are out in full force around our house and in use! Perhaps for you too.  Most of our blankets I’ve crocheted at one time or another. My favorite is this big, huge granny square blanket made with lots of leftover yarns.  To see a couple of other drawings of this blanket, click here and here.  Should you be a crocheter and want to make this blanket, click here! It’s one of  my FREE PATTERNS available to you!

So I thought I’d show you a drawing in process where I’ve made use of a page that I began for another drawing (see this Knitting Brown drawing). I drew the knitting needle and decided to abandon ship and start over.  Why? I don’t know. Hm.

Anyway, I started a continuous line drawing on the abandoned page.  Continuous line is lovely for early morning drawing: restful, thoughtful, meditative. It should be noted that I have several continuous lines on the page. I typically take a line as far as I feel it can go. Then pick up my trusty Bic pen and begin somewhere else. I just love that way of drawing.  It frees me from feeling I have to have everything “correct” or have to have every detail. The witchy looking thumb was weird…but oh well, not gonna stress about it…let it go!

Then I splashed on some watercolor.  When I have lines on a page, no matter how wonky looking, I tend to be very loose and free with the paint.  Choice of colors is aligned with similarity to the local colors around me. For instance, the chair I sit in to think, write, draw each morning, is burgundy.  It has a matching twin.  The closest color on my palette to “burgundy” is quinacridone magenta, a favorite delicious color which is much more exciting than burgundy.  I have a yellow pillow in the same fabric as the hassock, but they aren’t quite so bold a yellow as I used here: cad yellow is way more vibrant and fun! So this is how I “think” when I paint.  I do not attempt exact colors of my surroundings.  I let my surroundings guide me, but pick what is close but perhaps more jazzy. :)

Another note about color:  I’m always thinking about connections…between colors of each of the “things” in my drawing.  I love looking for the echoes of burgundy in the blanket, the hints of green in the blinds, the blues showing up in shadows of the burgundy chair.  Making color notes in your drawing this way allows it to be cohesive and a whole unit. That’s also why I love splattering…splatters of colors from the blanket over the chair area allows them to be connected to each other.  I love connections…in BOTH continuous lines AND in color!!

*I also went back into the drawing with my Bic pen to add the tip of the Bic pen.  Sometimes continuous line doesn’t allow some necessary details you may want added in later. Tee Hee!

I wanted to add oil pastels to this.  Just a bit of the juicy dark colors, especially in the blanket since oil pastel has a natural textured look which mimics the look of yarns.  Defined the cropped out area too, as this was my first focus in the drawing.  It kept spilling outside the borders of this drawn rectangle.  I don’t mind these things…I just go along with Pen wherever he goes. Oh, and the oil pastel over the cropped box, helped the witchy thumb look less, well, witchy. :)

In the end, I decided to go back into the drawing with Bic pen to add a few of the lines on my sketchbook page.  And by this time, the light is a bit better in the house for taking a photo and I think you’re getting a better look at the color.

So, draw up a chair,  a blanket too, and sketch what you see.  Splash on some color.  Add a few accents. Redefine what you need.

It’s all good, in the land of sketchbooks.


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Thick & Thin

I love to play around with the thickness (and thinness) of pen lines.  I like to see how changing the pen line thickness within the same drawing adds a sense of depth or highlights the main subject or….

It’s totally fun! Try this:  Choose a thick line pen (I like a size 08 fineliner) for your main subject OR for the objects that are in the foreground.  Then choose a much smaller pen thickness (I use 01 fineliner, or 03) for all the stuff that surrounds your main subject, or for the items in the background.

THEN…switch it up!  Reverse that order and choose a tiny fineliner (01) for the main subject and the thicker pen (08) for the rest of it, or the background stuff.  Either way, you get this cool way of indicating depth and focus…ALL WITH LINE!!!!  Whheeeeee!!!!!!

P.S. Oh wait…is this a mini-lesson? Nah.  Just a tip to try.  You might like it!

P.P.S.  Oh, and this is more work play from the drawing group that meets at Barnhill’s Bookstore.  Too fun!

P.P.P.S.  Tune in Friday for Drawing Your Life Mini Lesson #4!!!  More stuff to fuel the fire for drawing.  I hope.:)


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Try This…

Before going on a trip, say to the beach with your daughter for her 16th birthday, or to Asheville for a weekend getaway, or just to errands around town, try this!

Paint with watercolor on your sketchbook papers BEFORE HAND.  Have no thought as to what you’ll eventually draw there.  Just use colors you love, smoosh them around on the page, splatter them, use a bit of white gouache if you want and let dry.  Take your sketchbook and just a drawing implement (pen or pencil, marker, what-have-you) or two.  Then, when the notion strikes, draw ON TOP OF what you painted.  You’ll love how the abstracty painting underneath works in with your drawing without you even having to make that happen!  It’s SO COOL!  Then, when you get home, you can deepen the colors a bit in places, or add a few more splashes here and there, or not.

Both of these were done in this manner.  And on this page here.  Pretty neato, huh?

**Nearing the end of my Handbook Journal, begun a loong time ago.

***Come to my workshop on the 3rd of March and I’ll show you how to do this, plus many other ideas for celebrating your life visually in a journal!

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